Body + Nerve + Memory + Adventure + Mapping
- sayeewang
- Mar 11, 2017
- 3 min read
1. Body. Memory.
StartFragment
Our feelings are actually not all perceived by our brain. The brain is in dark and silence. It can never taste anything. It can never hear anything. Electronic pulse is what it only perceives. Not the sweet hot chocolate nor the sassy touch. The brain is deaf, blind and mute. The body is only the converter transfer one energy into the others.
EndFragment
by davidlemm
it inspires me to think about the chemical changes under our skin after training.
by davidlemm
2. Body. Memory. Person. Story
individuals have their own body/muscle language or memory by their stories.
She enjoys all sorts of little pleasures,
putting her hand in a bag of seeds,
piercing the crust of crème brûlée with the tip of a spoon.
And play at ducks and drakes on the Saint-Martin-canal.
Amelie's parent like...
Raphaël Poulain doesn't like peeing next to somebody else.
He doesn't like noticing people laughing at his sandals . .
coming out of the water with his swimming suit sticking to his body
Raphaël Poulain likes to tear big pieces of wallpaper off the walls
to line up his shoes and polish them with great care
to empty his toolbox, clean it thoroughly, and, finally, put everything away carefully.
Amélie's mother, Amandine Fouet, was a Primary School teacher from Gueugnon, she had always been unstable and nervy.
She doesn't like to have her fingers all wrinkled by hot water.
She doesn't like it when somebody she doesn't like touches her,
to have the marks of the sheets on her cheek in the morning.
She likes the outfits of the ice-skaters on TV.
to shine the flooring.
to empty her handbag clean it thoroughly,
and, finally, putting everything away carefully.
3. Body. Memory + Person. Story
how to link their stories to their customized/ individual interaction with intelligent machine.
Memories are saved in different part or in different gesture.
And they can be released
How the stories relate to the relationship between individuals and activities
How the stories relate to the relationship between individuals and the space.
Italo calvino, invisible cities,1972
In vain, great-hearted Kublai, shall I attempt to describe Zaira, city of high bastions. I could tell you how many steps make up the streets rising like stairways, and the degree of the arcades' curves, and what kind of zinc scales cover the roofs; but I already know this would be the same as telling you nothing. The city does not consist of this, but of relationships between the measurements of its space and the events of its past: the height of a lamppost and the distance from the ground of a hanged usurper's swaying feet; the line strung from the lamppost to the railing opposite and the festoons that decorate the course of the queen's nuptial procession; the height of that railing and the leap of the adulterer who climbed over it at dawn; the tilt of a guttering and a eat's progress along it as he slips into the same window; the firing range of a gunboat which has suddenly appeared beyond the cape and the bomb that destroys the guttering; the rips in the fish net and the three old men seated on the dock mending nets and telling each other for the hundredth time the Story of the gun- 10 boat of the usurper, who some say was the queen's illegitimate son, abandoned in his swaddling clothes there on the dock.
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